5 meter tangka is being painted to represent the harmony of the sangha.

For the last few weeks we have been reviewing all the plans and specifications for the temple to update and integrate all the changes that have been made so that we can move forward with the finishing phase as efficiently as possible.
The strategy is to start with the cement finishing in the shrineroom first so that later all the artwork can proceed without interruption. The architectural roof details that Tenpa has been working on all month – the four chösings (*) for the roof corners and the ornamental plaques that will go along the roof edge - are now ready to be installed.
The 16 foot high gedun khorlo thanka (**) that is being painted by Ugen to go on the ceiling of the main shrineroom is already looking quite beautiful, and the main Shakyamuni Buddha statue and two of the smaller statues are taking shape quickly.
In addition to the art projects, we are beginning the assembling of all the mantra rolls and sacred substances that will later be consecrated and installed when the statues are ready.
We invite you to come and help with the project. Many sangha members are already working with the artists to support their activity and it is inspiring to see the beauty that is arising out of clay and cement.

Lama Norbu – October, 2006

Glossary:
(*) Chösings: Traditional sculpted ornaments that go on the corners of the temple roof that represent the power of compassion and have the form of a mythical sea creature
(**) Gedun Khorlo Thanka: A painting on fabric called ‘the circle of the sangha’ that is a treasure of Dilgo Khyentse Rinpoche having the function of creating harmony in the sangha